Satanic Atheists and the Music Industry: Part 1: Mass Indoctrination and Control
",,,On several occasions since the fall of the Third Reich, evidence has surfaced of connections between the far right and Satanism. As in the cases of Hendrik Möbus and Daniel Ruda, however, they have been limited to individuals or, at most, small groups. But in the past five years, an entirely new phenomenon has developed: a mass youth culture in which neo-**** ideas and symbols have merged with the Gothic scene.
This movement can be traced back to 1993, when Roland Bubik, widely regarded as the leading thinker of the German extreme right, wrote a seminal article for the magazine Junge Freiheit. Entitled "Culture as a question of power", it argued that "new possibilities for influencing people are arising in the area of communications networks. In particular, the entertainment industry... has an immense influence that until now has gone unremarked." Within a couple of years, Bubik's partner, Simone Satzger, was stating as fact, in a collection of essays edited by Bubik, that the far right's strategy was "to open up contemporary cultural and political phenomena to use them for our own purposes...".
http://www.guardian.co.uk/politics/2002/nov/16/thefarright.uk
*Notice the extreme similarity between this "concert" and the rituals of the Church of Satan and Bohemian Grove.
",,,On several occasions since the fall of the Third Reich, evidence has surfaced of connections between the far right and Satanism. As in the cases of Hendrik Möbus and Daniel Ruda, however, they have been limited to individuals or, at most, small groups. But in the past five years, an entirely new phenomenon has developed: a mass youth culture in which neo-**** ideas and symbols have merged with the Gothic scene.
This movement can be traced back to 1993, when Roland Bubik, widely regarded as the leading thinker of the German extreme right, wrote a seminal article for the magazine Junge Freiheit. Entitled "Culture as a question of power", it argued that "new possibilities for influencing people are arising in the area of communications networks. In particular, the entertainment industry... has an immense influence that until now has gone unremarked." Within a couple of years, Bubik's partner, Simone Satzger, was stating as fact, in a collection of essays edited by Bubik, that the far right's strategy was "to open up contemporary cultural and political phenomena to use them for our own purposes...".
http://www.guardian.co.uk/politics/2002/nov/16/thefarright.uk
*Notice the extreme similarity between this "concert" and the rituals of the Church of Satan and Bohemian Grove.
